09.30Welcome and Keynote speaker – Younger Hall Lecture Theatre  
Professor Andrew Barry Projects and Projections: Transition and the Global Situation
10.45Coffee and Biscuit Break – Younger Hall Foyer  
11.00Concurrent Panel Sessions – Younger Hall  
 Seminar Room 1
Energy Waste, Assetisation and Material Ideals  
Başak Saraç-Lesavre From containment in the depths of the Salado Formation to container economies: Assetization of nuclear waste  
Matt Barlow Legacy waste: the past, present, and future of plastics and energy
Joost Alleblas Material Ideals in Energy Transitions

Seminar Room 2
Climate Ethics, Panel 5  
Luca Stroppa Callousness, demandingness, and climate change  
Owen Clifton Contractualism, Non-Identity, and Climate Change
Walter Sinnott-Armstrong (discussant)
Theron Pummer (discussant)  

Seminar Room 3
Times of Finance: Global Paradoxes and Green Ventures  
Asprey Liu Investors as Stewards of the World Order? Postcolonial Paradoxes of ESG in Emerging Markets
Johannes Lenhard Venture capitalising the green future?
Horacio Ortiz Times of finance: methods, organizations and global relations

Seminar Room 4
Imagining Ethical Actions on Climate: People; Money and Technology  
Ian Edwards and Tim MacDonald Trillion-dollar fiduciaries retire the oil industry: A backcasting case study  
Carolin Slickers Future Perfect: Ecologic and Economic time in Elizabeth Filhol’s Doggerland
Aster Hoving Ocean Waves: Aesthetics, Knowledge, and Energy

Stewart Room
Good Till The Close 1
Rebecca Sharp & Elodie Laügt  
A fortune-telling, poem-generating game with inbuilt obsolescence. ‘Good Till The Close’ has been specially created for EE2023 by CEE’s Artist in Residence Rebecca Sharp in collaboration with Elodie Laügt and the Centre for Poetic Innovation. It is a participatory drop-in workshop open 11am-4pm on Thursday 8th. Participation requires at least 10-15 minutes if you’re flying between events – or you’re welcome to spend much longer than that. The workshop’s organisation draws from links between oil and financial forecasting, and other future-telling practices – in this case, tarot cards. It invites participants to play with ideas of currency, present action and future speculation, what is known and unknown, hope and desire set alongside material, process and mechanism, scales of time and effect. Addressing themes of the conference, the event explores ‘visions of and expectations for the future’, ‘relations of obligation and indebtedness’, and considers the question ‘When should we prioritise investing in the distant future rather than focussing on the present?’. The outcomes you will be co-creating include a collective poem and collective tarot readings, which will be documented and shared by CEE and CPI after the conference.    
12.45Lunch – Lower College Hall
13.45Concurrent Panel Sessions – Younger Hall
 Seminar Room 1
Shifting Values and Renewable Energy: Design, Eco-Technology and Social Constructions  
Meng-rung Lin, Hsin-yi Lu, Ru-Yi Liu The multiplicity of value of offshore windfarms in Taiwan  
Ewan Jenkins Autonomy and Eco-Technology 
Anna Melnyk Design for Value Change as a Climate Action Approach    

Seminar Room 2
Climate Ethics, Panel 6
Elizabeth Cripps Climate Duties and Individual Projects: A Puzzle About Demandingness  
Joel Joseph (discussant)

Seminar Room 3
Financial Moralities: Values, Interest and Kant  
Alex Douglas An Interest-Free Future? A Proposal for Sustainable Finance
Ben Eyre The warm glow of investing for good: exploring value(s) in the social finance chain
Laura Marsiliani, Lucy Naga, Thomas Renström, Luca Spataro Green Investment and Kantian Morality

Seminar Room 4
Climate Finance: Intermediaries, Waste and R&D  
Lina Xie, Bert Scholtens, Swarnodeep Homroy Climate Focus of Public Financial Intermediaries
Kari Dahlgren Wasting Energy to Save the Planet: Towards an Ethics of Intermittent Abundance  
Isla Munro Kinnear How does state finance influence renewable energy R&D?

Stewart Room Good Till The Close 2
Rebecca Sharp & Elodie Laügt  
A fortune-telling, poem-generating game with inbuilt obsolescence. ‘Good Till The Close’ has been specially created for EE2023 by CEE’s Artist in Residence Rebecca Sharp in collaboration with Elodie Laügt and the Centre for Poetic Innovation. It is a participatory drop-in workshop open 11am-4pm on Thursday 8th. Participation requires at least 10-15 minutes if you’re flying between events – or you’re welcome to spend much longer than that. The workshop’s organisation draws from links between oil and financial forecasting, and other future-telling practices – in this case, tarot cards. It invites participants to play with ideas of currency, present action and future speculation, what is known and unknown, hope and desire set alongside material, process and mechanism, scales of time and effect. Addressing themes of the conference, the event explores ‘visions of and expectations for the future’, ‘relations of obligation and indebtedness’, and considers the question ‘When should we prioritise investing in the distant future rather than focussing on the present?’. The outcomes you will be co-creating include a collective poem and collective tarot readings, which will be documented and shared by CEE and CPI after the conference.  
15.30Coffee and Biscuit Break – Younger Hall foyer
15.45Concurrent sessions Younger Hall  
 Main Hall
Closing Plenary 

Seminar Room 2
Climate Ethics, Panel 7
John Broome Philosophy, economics and harnessing self-interest  
Alex Douglas (discussant)
16.30Cash Bar – Younger Hall foyer
18.30Byre Theatre
The Song of Ice – booking required*
A new collaborative project that combines music, science, sound, animation and images to tell the story of the life of the Antarctic ice sheet. Stunning new music, leading-edge science, animation and imagery from Steve’s Antarctic field seasons blended in collaboration with BAS Antarctic scientists to tell the story of the Antarctic ice sheet in three parts:   Isolate: the last 180 million years – other continents move away, the continent becoming isolated and the ice sheet forming Grow: the last 30 million years — the ice sheet forms and moves, accompanied by the haunting sounds of icequakes Breathe: the last 0.8 million years — the rise and fall of C02 in ice cores converted to sound and music, with a final higher note reflecting recent conditions This solo performance includes an introductory talk and Q&A session helping you to engage in the performance and material and will be followed by a reception at the Byre Theatre.

* The Song of Ice tickets can be booked through the event registration. If you would like tickets and have already registered for the conference, please email [email protected]